Probably more apparent than ever, following COVID restrictions imposed in 2020 and the closure of many entertainment venues across the UK, is the noise they can generate. Noisy visitors, live events and more can create a disturbance for local neighbours, especially late at night. Most venue owners have to have a license to operate, which in most cases will have some kind of stipulation as to noise levels, so it really can become a contentious issue.
Back in 2009 ‘Charlotte Street Blues’ opened in central London, and quickly earned the reputation as being one of the finest acoustic blues venues. It was previously a more subdued wine bar occupying the three-story Georgian building, so the new owners with their extensive experience within this sector were all aware of potential noise containment problems. Exacerbating the issue further, was the rear courtyard which had been incorporated into the main building, which backed onto, and overlooked a residential mews.
A polycarbonate domed roof covered the courtyard, which provided little to no sound insulation. To overcome this, before the club opened, an acoustic brick wall was built between the courtyard and the neighbours. Inside saw sound absorbent material placed under the stage to alleviate bass noise. However, to improve the insulation of the polycarbonate roof, a secondary glazed array was designed and installed which effectively eradicated noise breakout. 28 units were installed from the Series 42 fixed light range and 45 side hung casements, all glazed with 6.4mm laminate safety glass.
Series 45 side hung casements and Series 42 fixed light secondary glazing
Customers enjoyed the acts and sound quality inside, whilst the neighbours continued to enjoy the peace and quiet.
Unfortunately the venue closed in 2010 when the freehold was sold, with planning granted to demolish the building and rebuild, with a retained façade. It is now home to Monica Galetti’s restaurant, Mere.
Back in 2009 ‘Charlotte Street Blues’ opened in central London, and quickly earned the reputation as being one of the finest acoustic blues venues. It was previously a more subdued wine bar occupying the three-story Georgian building, so the new owners with their extensive experience within this sector were all aware of potential noise containment problems. Exacerbating the issue further, was the rear courtyard which had been incorporated into the main building, which backed onto, and overlooked a residential mews.
A polycarbonate domed roof covered the courtyard, which provided little to no sound insulation. To overcome this, before the club opened, an acoustic brick wall was built between the courtyard and the neighbours. Inside saw sound absorbent material placed under the stage to alleviate bass noise. However, to improve the insulation of the polycarbonate roof, a secondary glazed array was designed and installed which effectively eradicated noise breakout. 28 units were installed from the Series 42 fixed light range and 45 side hung casements, all glazed with 6.4mm laminate safety glass.
Series 45 side hung casements and Series 42 fixed light secondary glazing
Customers enjoyed the acts and sound quality inside, whilst the neighbours continued to enjoy the peace and quiet.
Unfortunately the venue closed in 2010 when the freehold was sold, with planning granted to demolish the building and rebuild, with a retained façade. It is now home to Monica Galetti’s restaurant, Mere.- Date
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